ASCAP, BMI, SESAC: Royalty Collection for Electronic Producers
Electronic music producers craft tracks often performed publicly. Performing Rights Organizations (PROs) such as ASCAP, BMI, and SESAC are essential for collecting performance royalties generated from these uses. Understanding their function is vital for a producer’s income stream.
ASCAP Collections
Public Performance Royalties
ASCAP (American Society of Composers, Authors and Publishers) collects performance royalties whenever a producer’s copyrighted music is publicly performed. This encompasses plays on radio, television, live venues, clubs, streaming services, and online broadcasts. They distribute these royalties to both songwriters/composers and music publishers.
BMI Collections
Public Performance Royalties
BMI (Broadcast Music, Inc.) functions similarly to ASCAP, collecting performance royalties for the public use of copyrighted musical works. This covers broadcast, digital, and live performances of electronic tracks in various global settings. BMI also distributes earnings to its affiliated songwriters, composers, and music publishers.
SESAC Collections
Public Performance Royalties
SESAC (Society of European Stage Authors and Composers) is a for-profit PRO, distinct from the non-profit structures of ASCAP and BMI. SESAC collects performance royalties for public performances of affiliated music. They license music to broadcasters and venues, distributing royalties to their more exclusive, invitation-only roster of creators and publishers.
Importance for Electronic Producers
For electronic music producers, registering with a PRO ensures they are compensated when their music is played in public. These organizations actively track usage and distribute royalties, effectively converting public performances into a revenue stream.
ASCAP, BMI, and SESAC primarily collect public performance royalties for electronic producers.
